Poppe (Erich)
- s. xx–xxi
- (agents)
Celts, Gaels, and Britons offers a miscellany of essays exploring three closely connected areas within the fields of Celtic Studies in order to shed new light on the ancient and medieval Celtic languages and their literatures. Taking as its inspiration the scholarship of Professor Patrick Sims-Williams, to whom this volume is dedicated, the papers gathered together here explore the Continental Celtic languages, texts from the Irish Sea world, and the literature and linguistics of the British languages, among them Welsh and Cornish. With essays from eighteen leading scholars in the field, this in-depth volume serves not only as a monument to the rich and varied career of Sims-Williams, but also offers a wealth of commentary and information to present significant primary research and reconsiderations of existing scholarship.
This article explores the devices employed by the medieval Welsh narrator of Owain, or Chwedyl Iarlles y Ffynnawn (‘The Story of the Lady of the Well’), to convey emotions and the mental states of his characters to his audiences. Although he generally remains inaudible, he uses, at some crucial points, words and phrases denoting emotions in a narrow sense, such as love, sadness and shame, in order to direct and steer the audiences’ perception and their understanding of the narrative. A comparison with thematically related texts, Chrétien de Troyes’ Yvain, and its Old Norse, Old Swedish and Middle English translations, helps to assess the narrative role of literary emotions in the Welsh text.
The paper compares and contextualizes the comments of Gruffudd Bola (fl. 1270/1280) and Robert Gwyn (c. 1545–c. 1597/1603) on their strategies of translating (quotations from) authoritative religious texts. In the introductory section of his translation of the Athanasian Creed, which he produced for Efa ferch Maredudd, Gruffudd Bola employs the topos of ‘(sometimes) word-for-word’ versus ‘(sometimes) sense-by-sense’ to explain and justify his approach whenever the structural demands of the target language render a literal translation impossible. About three hundred years later, Robert Gwyn, the recusant author of Y Drych Kristnogawl (‘The Christian Mirror’, c. 1583/1584), argues that in the devotional-didactic genre the translations of quotations from authoritative religious texts such as the Bible need to be adapted to his audience’s level of understanding. He thus subordinates fidelity on the literal level to the demands of comprehensibility. Both authors insist on the priority of successful communication, but approach the translator’s dilemma in different frameworks.
In Cath Catharda, the adaption of Lucan’s verse epic Bellum Civile, is a hitherto little explored example of a medieval Irish translation of a classical text. This paper explores some aspects of its structure and its employment of sources, in particular its bipartite narrative architecture and its teleology, its use of medieval explicative scholia on Lucan’s text, and the format and the sources of its historiographical introduction. It is suggested that this introduction’s section on Roman history and political organisation derives from a source that is also reflected in a similar passage in the Old Icelandic Rómverja saga.
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